Pilgrims visit Our Mother of Africa Chapel ahead of National Congress of Black Catholics – Catholic Standard

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By placing his hands on the sculptures he made 25 years ago, Ed Dwight shared what inspired his art with visitors to Our Mother of Africa Chapel.

Dwight, along with other artists and community members, were honored at the chapel on his 25th birthday at the National Shrine Basilica of the Immaculate Conception in Washington, DC on September 17.

The National Black Catholic Congress (NBCC) hosted the celebration of the pilgrimage. The NBCC is an organization that represents approximately 3 million African American Catholics in the United States to serve spiritual needs within the Church. The chapel was a donation on behalf of NBCC to the National Shrine. It recalls the history of slavery in the United States and gives a sense of hope.

The National Shrine’s Our Mother of Africa Chapel, which was consecrated 25 years ago in 1997, is located to the left of the Crypt Church. (Photo by Patrick Ryan for the National Black Catholic Congress)

Dwight shared his method of using bronze and casting faces when sculpting. The artist also spoke about how his work was influenced by his Catholic faith and his mother, who made sure he attended church and Catholic school while he was growing up in Kansas City. .

Using imagery from the church and the people he grew up with made it easier to create sculptures for the chapel, he said.

“It was a totally natural setting for me, and it’s one of the few sculptures I’ve ever done where it felt more natural to do it,” Dwight said. He has produced approximately 130 large-scale public and memorial art installations, and over 18,000 gallery sculptures.

Ed Dwight and his wife, Barbara, stand in front of his sculpture of the Blessed Mother and Baby Jesus in the Our Mother of Africa Chapel at the Basilica of the National Shrine of the Immaculate Conception in Washington, DC, during A September 17 pilgrimage and Mass sponsored by the National Black Catholic Congress, Dwight was honored for his works on the chapel’s 25th anniversary. (Photo by Patrick Ryan for the National Black Catholic Congress)

The chapel’s anniversary celebration included a visit, lunch and mass celebrated by Auxiliary Bishop of Washington, Roy Campbell Jr., president of the National Black Catholic Congress. In addition to the visiting priests, concelebrants included Bishop Christophe Pierre, Apostolic Nuncio to the United States and Bishop John H. Ricard, SSJ, Bishop Emeritus of the Diocese of Pensacola-Tallahassee, who served as CCNB President during the construction of the chapel. .

The Chapel of Our Mother of Africa is “a very sacred and holy place,” Archbishop Ricard said in his homily. “Inside this sacred space…there is a silent conversation, an ongoing sacred conversation” between the visitor and the artwork, he said.

Pilgrims from across the country attended the celebration, the first of events scheduled ahead of the XIII NBCC Convention, July 20-23, 2023 in National Harbor, Maryland.

In the photos above and below, pilgrims take part in a mass on September 17, 2022 at the national shrine marking the 25e anniversary of the Our Mother of Africa chapel. (Photo by Patrick Ryan for the National Black Catholic Congress)

Father Desmond Drummer, pastor of the Church of the Most Blessed Sacrament in Atlanta and Nathalie Borgella, a member of the Atlanta Haitian Chaplaincy at Sts. The Peter and Paul Church of Decatur, Georgia traveled to the nation’s capital for the celebration.

How Dwight allowed his life experience to influence his work impacted Borgella.

“It shows the importance of understanding our history, not just as black Catholics, but as individuals in general,” she said.

A “spiritual house”

The National Shrine Basilica of the Immaculate Conception is the largest Catholic church in North America and one of the 10 largest in the world.

It is designated a National Shrine of Prayer and Pilgrimage by the U.S. Catholic Bishops and is home to more than 80 chapels that honor the Mother of God and represent the peoples, cultures, and traditions of the Catholic faith.

Learning about the history of Our Mother of Africa Chapel showed how African-American history is present at the basilica — the “spiritual home of the Church in the United States,” Father Drummer said. . “This Catholic community in the United States is a global Catholic community. There is not one story, there are several. And these stories include encounters with the Lord.

The chapel includes a bronze sculpture of the Blessed Mother holding the Infant Jesus. Sculpted by Dwight, both were given African-American physical characteristics.

“I was not the master or the control of the image,” Dwight said of creating the piece.

“All that drapery and the way she looked with her hands; all of her, everything just spat out. And I couldn’t stop him from being what he is today.

The Our Mother of Africa Chapel at the National Shrine features artist Ed Dwight’s bronze sculpture of the Blessed Mother holding the Christ Child, both figures with African American features. (Photo by Patrick Ryan for the National Black Catholic Congress)

Dwight’s second work, “Sculpture in Relief”, depicts African American history from slavery to the present day. He describes it as his version of the civil rights movement.

The artist said what he learned about the civil rights movement and life experience was reflected in the sculpture.

A bas-relief sculpture on the wall of the Our Mother of Africa Chapel at the National Shrine depicts the African-American experience from slavery to the emancipation and civil rights movement, with the figures led by the Saint – Spirit above in the form of a dove and walking towards Jesus on the cross as a symbol of ultimate freedom. (Photo by Patrick Ryan for the National Black Catholic Congress)

The crucifix in the Chapel of Our Mother of Africa was created through the collaboration of Tanzanian sculptor Juvenal Kaliki, who sculpted the figure of Christ, and New York sculptor Jeffrey Brosk, who designed the cross. The marble sculptures of Matthew, Mark, Luke and John were sculpted by Giancarlo Biagi and Jill Burkee. The iron grilles along the altar are by Jean Wiart. The doors represent the acacia tree, an icon for black Catholics in the United States.

The figure of Christ with African features on the crucifix in the Chapel of Our Mother of Africa was created by Tanzanian sculptor Juvenal Kaliki, and the cross was designed by New York sculptor Jeffrey Brosk. (Photo by Patrick Ryan for the National Black Catholic Congress)

Inspire the younger generation

Father Robert Boxie III, the Catholic chaplain at Howard University in Washington, DC, brought a group of students to the basilica for the anniversary celebration.

I wanted to “expose our students to this part of the church – how they can be there, how they can be celebrated in the Church,” Fr. Boxie said. “It is part of our heritage tradition.

“Just seeing so many black Catholics in one place is a big deal,” said Ali Mumbach, a Howard University graduate student and Houston native.

Mumbach was moved by the visit to engage more with younger generations of Catholics.

Father Boxie hopes students will know that “the gifts they bring into their presence will be recognized and celebrated” by the Church.

Father Robert Boxie III, center right, the Catholic chaplain at Howard University in Washington, DC, is pictured with students at the crypt of the Basilica of the National Shrine of the Immaculate Conception in Washington, DC The group attended the 25th Anniversary Pilgrimage to Our Mother of Africa Chapel at the Basilica, which included lunch and a tour. (Photo by Samantha Smith/The Georgia Bulletin)

The CCNB held its first convention in 1889. With the exception of the coronavirus pandemic, it has held a convention every five years since 1987 to prepare a pastoral plan to meet the needs of black Catholics. The theme for the 2023 conference is: “Writing the Vision: A Prophetic Call to Prosper”.

In preparation for next year’s convention, Father Drummer drew inspiration from the celebration of African Catholics at the basilica.

“It’s important for us to expand what we mean when we say black Catholic,” Father Drummer said. “Black Catholic life in the United States is a global reality that contains a number of stories, and our understanding of what it means to be a Black Catholic moving forward must include a pan-African vision.”

Members of the choir sing during a Mass on September 17, 2022 at the Basilica of the National Shrine of the Immaculate Conception celebrating the 25e anniversary of Our Mother of Africa Chapel, blessed and consecrated in August 1997. (Photo by Patrick Ryan for the National Black Catholic Congress)

The XIII Congress will be a validation of voices and cultures, Borgella said.

Holding convention events near the national shrine, with chapels dedicated to different nations and regions, “shows that black Catholics are still an integral part of Catholic history,” she said.

Auxiliary Bishop of Washington Roy Campbell Jr., left, the president of the National Congress of Black Catholics, addresses the altar after serving as the main celebrant during a Mass Sept. 17, 2022 at the Basilica of the National Shrine in the Immaculate Conception marking the 25e anniversary of the Our Mother of Africa chapel. (Photo by Patrick Ryan for the National Black Catholic Congress)

MORE INFORMATION

  • The National Black Catholic Congress will host the XIII Congress July 20-23, 2023 at the Gaylord National Resort & Convention Center in National Harbor, Maryland.
  • To learn more about the congress, visit nbccongress.org.

(Samantha Smith is a staff writer for The Georgia Bulletin, the official newspaper of the Archdiocese of Atlanta, which shared this article.)


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