Spring concert guide: Classic rock gigs light up a busy season of live shows


With brighter months ahead, Oregon’s spring concert slate opens with a performance by Americana award-winning scribe Jason Isbell and a man of his word. Carlos Santana and Stewart Copeland follow – the latter resuming his policing with the Oregon Symphony – while Koffee spins the rhyme and beat to taste.

Permanent pandemic precautions will be in place at many venues, including proof of vaccination or a recent negative COVID test (for specific policies, see venue websites).

Jason Isbell and Unit 400

Jason Isbell has a rule: ‘If something is a little scary,’ he recently said QG, “maybe it’s because it’s the right thing to do.” Possessing its values ​​(and a viral promise), Isbell on “Georgia Blue” bravely inhabits Otis Redding, Chris Robinson and Michael Stipe, among others, acting as a tribute to the Peach State.

8 p.m. Friday, March 4, Keller Auditorium. All ages. Tickets: $49.50 to $125. portland5.com

Sierra Ferrel

Potted in Appalachia, blooming almost everywhere else, Sierra Ferrell conveys the particular adaptability of contemporary roots music – lounging in the Ryman one night then drifting away to an indie den the next. “I was listening to music from the 90s, like the one-hit wonders,” she recalled. Garden and Gun. “I guess bluegrass music kind of comes from my DNA.”

8 p.m. Monday, March 7, Aladdin Theatre. All ages. Tickets: Sold out – try resellers. theater-aladdin.com

Judas Priest

“Too bad for the golden future, I can’t even start. I’ve had all the promises broken, there’s anger in my heart. In terms of protesting American folk or outlaw country, Judas Priest — leather-clad metal titans from England’s deindustrialized West Midlands — projected the fallout of economic decay on “Breaking the Law,” also at about today than in 1980.

7:30 p.m. Thursday March 10, Moda Center. All ages. Tickets: $35 to $146. rosequartier.com

justin bieber

Justin Bieber can hardly choose socks without some gossip pundit or critic whistling about it. (Sometimes their objective is true: “Appetizing“, to begin with, was as derivative as it was disposable.) But it’s worth remembering that Bieber earned his place, having beaten him as a busker in Ontario – a relative time before his final arena robbery.

7:30 p.m. Friday March 11, Moda Center. All ages. Tickets: $89 to $199. rosequartier.com

Stewart Copeland with the Oregon Symphony Orchestra

North Star to drummers of many beats – Dave Grohl and Chris Adler among unlikely devotees – Stewart Copeland’s keen ear and studied hands conjure up inspiration across the rock cosmos, now with the Oregon Symphony to kick off high sound police era.

7:30 p.m. Wednesday, March 16. Arlene Schnitzer Concert Hall. All ages. Tickets: $29 to $99. portland5.com

david torn

David Bowie searched endlessly for new dimensions and unearthed one in David Torn, the wizard-like guitarist who spelled refined colorism and texture in “Heathen”, “Reality” and “The Next Day”.

8 p.m. Wednesday, March 23, Mississippi Studios. Tickets: $22.50. mississippistudios.com


Three years after its release, “Africa Speaks” is as much about Carlos Santana, Latin rock’s talisman and creative spirit, whose dimensionality as a bandleader manifests through the note. “Everything is new to me, with purity and innocence.” he said NPR. “Each second.”

8 p.m. Sunday, March 27, Matthew Knight Arena (Eugene). Tickets: $41 to $285. goducks.com

Doua Lipa

To the left of the easy lyrics, Dua Lipa’s dance pop deals with a game of motor rhythmic figures and sleight of hand, holding a fluid pun for when it counts. “When you hear a song that rhymes perfectly, it’s so shocking,” remarked the co-writer of Lipa’s “Don’t Start Now”. “It’s like, ‘Okay. You know how to rhyme. Very well.'”

7:30 p.m. Tuesday, March 29, Moda Center. All ages. Tickets: $41 to $125. rosequartier.com

bad religion

The afflictions of wealth depicted in “21st Century (Digital Boy),” one of the rare outlandish hits from a band as catchy as Bad Religion, ring with an acumen that goes beyond the banal socio-politics of punk rock. More than 30 years later, it’s a lingering earworm and the mark of an astute band whose irreverence remains rooted in fertile soil.

8 p.m. Friday, April 1, Roseland Theatre. All ages. Tickets: Sold out – try resellers. roselandpdx.com

Olivia Rodrigue

Linked for a number of reasons – jewelry exchanges and one encrypted song title, among them – Olivia Rodrigo and Taylor Swift share a deeper, if less buzzworthy, trait: common sense. “Inspired by Swift’s fight to own her music,” the Guardian reported last year, “Rodrigo retained control of his master recordings.”

8 p.m. Tuesday April 5, Moda Center. All ages. Exhausted – try resellers. rosequartier.com

Lindsey Buckingham

“Fleetwood Mac was the big machine” says Lindsay Buckinghamland rumination on yet another fratricidal push – and his evacuation of the blues-rock titans (or them him) – this one was said to have been sparked by Buckingham’s intention to spin behind a solo venture (the opposite warmly has received “Lindsay Buckingham”). “I can still continue with the little machine,” he concluded.

8 p.m. Thursday, April 7, Aladdin Theater. All ages. Tickets: $75 to $225. theater-aladdin.com

Sarah Jarosz

“World on the Ground” acutely conveys Sarah Jarosz (“a dazzling mandolin player, possessed of a voice that could soothe a charging tiger”, write a review), which illustrates with lyrical and performance aplomb a venerable diptych of the new American frontier.

8 p.m. Thursday 7 April, Salle de la Révolution. All ages. Tickets: $25. revolutionhall.com

Rodney Crowell

“The unfinished song is my friend,” a serious Rodney Crowell told NPR last year, leaving in his pocket a parchment of perfected works for Emmylou Harris, George Jones and Johnny Cash (not to mention those he kept). The mediocre, off-target works of his oeuvre — the ones that “will forever stay on that file over there,” he concluded — “helped write the good ones.”

7:30 p.m. Friday 8 April, Soreng Theater (Eugene). All ages. Tickets: $45 to $55. hultcenter.org


“There was a little period where I was brainwashed by my own majesty,” says one Yola’s official biographythe British-Nigerian singer who otherwise decreed it on 2019’s ‘Walk Through Fire’, a decree that has lasted for years afterwards.

8 p.m. Monday, April 11, Roseland Theatre. All ages. Tickets: $26. roselandpdx.com


“To understand both the history and the future of Jamaican music, listen to Koffee,” concluded a New Yorker critic, who noted dancehall and reggae among its flavor notes, and “toasting” – distinctive vocalism both felt and heard.

8 p.m. Tuesday, April 12, Roseland Theatre. All ages. Tickets: $30. roselandpdx.com

Bob Mold

A specter of Sispyhean drags Bob Mould’s latest adventure, which sees the Hüsker Dü and Sugar hero tackle his discography without the kinetic thrust of a rhythm section. Never for a low-energy release, he’s ready to recast the mythos.

9 p.m. Tuesday, April 12, Doug Fir Lounge. 21+. Tickets: $25. dougfirlounge.com

Alice Cooper

Alice Cooper’s stage shows of the 1970s delighted and provoked, puckering jowls across Central America with mock beheadings, mounted whips and a live boa constrictor. However, music was the foundation of theatre: “If we had a 10-hour rehearsal schedule, nine hours of rehearsal,” Cooper recalls on NPR Fresh Air. “We realized we had to make the cake before we could put the icing on it.”

7:30 p.m. Tuesday, April 19, Arlene Schnitzer Concert Hall. All ages. Tickets: $44.70 to $74.50. portland5.com

jerry cantrell

Drone notes, vocal harmony and a sheaf of melodic strokes lay the imprint of Jerry Cantrell, elsewhere the head and heart of Alice in Chains, whose latest solo track – 2021’s “Brighten” – unwinds so acute in a flexible and major posture. suited to his name.

8 p.m. Sunday, May 1, Roseland Theatre. All ages. Tickets: $49.50 to $75. roselandpdx.com

Booker T. Jones

With his MGs—the Stax Records hammer and pick—Booker T. Jones pushed the R&B until noon, when the Hammond organs blared, the notes swayed, and the band wasn’t lying. He will bring both his songbook and his memoir, “Time is Tight,” to the Alberta Rose Theater, the sanctuary of American musical tradition in northeast Portland.

8 p.m., Sunday, May 1, Alberta Rose Theatre. All ages. Tickets: $48 to $65. albertarosetheatre.com


Mastodon’s studio grimoire thickens with the release, their latest – the nearly 90-minute “Hushed and Grim” – steeped in a dank, cavernous vibe not unfamiliar to Opeth, a co-headliner and a prog-metal team in a varied dimension.

7 p.m. Monday, May 9, Auditorium Keller. All ages. Tickets: $45 to $70. portland5.com

DC Fountains

A new stem in the genealogy of British post-punk, Fontaines DC writes with an incandescent ardour, surpassing the grayness found elsewhere in the genre. A resonant passage: “Dublin in the rain is mine / A pregnant city with a Catholic spirit.”

8 p.m. Thursday 12 May, Salle de la Révolution. All ages. Tickets: $25. revolutionhall.com

–Nathan Rizzo

Source link


About Author

Comments are closed.