Today we look at the time that Hellboy had to replace Santa Claus to save the spirit of a dying woman’s daughter on Christmas Eve.
This is our annual Advent Calendar Comics should be good! Every day until Christmas Eve you can click on the current day’s Advent calendar post and it will show the Advent calendar with the door open for that day and you can see what will be the “Treat” for that day! You can click here to view previous Advent Calendar entries. This year the theme is a Very Dope 90s Christmas! Every day will be a 90s Christmas comic book story, maybe the ones that have a specific 90s trend (it depends if I can come up with 24).
This year’s Advent calendar, of Grunge Santa Claus handing out 90s gifts, like a Tamagotchi, while posing with four superheroes in the most 90s costumes, is Benefits of Nick.
And now Day 3 will be open (once opened the door will feature a featured story panel) …
Today’s story is Mike Mignola’s 1997 “A Christmas Underground” from Hellboy Christmas Special # 1.
One of the most interesting things about Christmas history and Christmas stories is that we’ve all got a little bit past the idea that Christmas is the time for ghost stories, and yet one of the stories of Christmas. Most famous Christmas ever, not only is a ghost story (A Christmas Carol), but it is actually the story that led to ghost stories becoming so ubiquitous for Christmas celebrations. , because Charles Dickens really pushed for ghost stories at Christmas in the 19th century, to the point where (as cited by Colin Dickey to Smithsonian Magazine in one piece why we should bring back ghost stories for Christmas) Jerome K. Jerome wrote in his 1891 collection, Told After Supper, “Whenever five or six English speakers gather around a fire on Christmas Eve, they start to tell each other ghost stories. Nothing satisfies us on Christmas Eve than hearing authentic anecdotes about ghosts. It’s a joyous and festive season, and we love to meditate on graves, corpses, murders, and blood. “
Well, that looks like a Hellboy comic, doesn’t it?
Created by Mike Mignola in 1993, and originally released as part of a long-forgotten creator-owned line of titles at Dark Horse called Legends, Hellboy was a young half-human / half-demon who was summoned to Earth in 1944 (interestingly enough, very close to Christmas) as part of a Nazi plan to win WWII. It was collected and bred by Professor Trevor Bruttenholm of the Bureau for Paranormal Research and Defense (BPRD). Hellboy was both brought up in the Catholic religion but also to become the world’s greatest paranormal investigator.
The main Hellboy comic book series is usually set in the present, but when there are one-shots they usually revisit various instances that Hellboy has experienced over the years, usually summoned by a priest over his head. who needs help with something supernatural and deadly.
The Hellboy Christmas Special as a whole was a great comic book, but the comic book story we are specifically talking about here was the contribution to the special by the creator of Hellboy, the always amazing Mike Mignola, who is arguably the greatest comic book ever. comic book living horror artist. His use of shadows is almost unprecedented in the comic book world.
The story begins with a priest calling Hellboy in a “doomed” castle where an old woman lost her daughter years ago and now she is dying. Hellboy visits him and gives him some hope, even as the dying old woman mistakes Hellboy for Santa Claus (Santa Claus) …
One of Hellboy’s best personality traits is how cold he is about all of these things. I certainly don’t mean to suggest that he doesn’t get emotional sometimes, but this is never a case where he can’t believe a demon is that bad, but rather, that he wants to punish said demon for BEING. so wrong. In other words, although very little shocks him, he still gets mad at it and is happy to put those demons down.
This contrasts well, however, with the priests he meets who often have no experience with this stuff and therefore cannot really understand everything. They all WANT to help, but they really don’t know how. Even here, when Hellboy specifically asks a Priest to do something with the Old Woman while Hellboy sets out to find his daughter’s stolen spirit, he knows deep down that the Priest will not be able to pull it back.
As he then walks into the subway, Hellboy finds the girl, who seems to be living a beautiful existence there. She tells her fairytale story about how she was led to this special underground secret garden by her “prince” who pledged to spend her eternity with him.
When Hellboy finds out about the predicament Annie finds herself in, he tries to free his mind by first using the gift of the cross to expose what was really going on here and the stark change in what Annie thought she was dealing with and reality. from hell. existence was beautifully managed by Mignola …
This leads to a cleverly drawn showdown between Hellboy and the “prince” who has Annie’s captive mind. Eventually Hellboy succeeds (aided by the power of Christmas Eve itself – not exactly a good time for demons, you know?) … and the girl visits her mother while Hellboy finishes off the demon. .
Hellboy had left instructions to do all kinds of anti-demon rituals on the dying woman, but the priest couldn’t do them, but “luckily” his castle caught fire and so Hellboy and the priest then reflect on the night. ..
See how Hellboy’s detached nature gives these stories a certain laid-back freshness. He rightfully feels bad for the woman, but that’s not going to haunt him. He’s seen way too much for that to happen for him now.
The obscene horrors of Marvel’s Mightiest Avenger (and why he hid them), explained
About the Author